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I've got a rhythm and things figured out with the pedals. I just need a few more distortion pedals for variety, especially with the little amp.
Maybe I just didn't spend enough time tweaking or whatever, but I would rather plug in and play than spend hours (literally) fiddling with menus and buttons to get the sounds right. It gets worse - sometimes after spending one of those hours-long tweaking sessions at home I would go to practice and find that my tone would totally get lost in the mix in a full band situation. Back to the drawing board.
Yes, using an amp with pedals is decidedly less convenient than an all-in-one multi-effects processor, but it works for my situation. If you can manage the volume of a tube amp (attenuator, isolation,etc) and you don't mind lugging it around, it's a great solution.
I hadn't even thought of the awkwardness of using multiple completely distinct patches live and it would definitely frustrate me to have to go home to re-tweak effects after already putting the time into them.
cool dad, because I generally like using the distortion on my amp, I only have a Boss Blues Driver (I believe that is the correct name). So on the Classic 30, I use the amp's distortion channel and the blue's driver pedal.
With the amp I used last night, all I have is the distortion pedal, since the amp only has a volume knob. It certainly makes for a good excuse to spend more money, but I think it's something Mrs. Febres would probably not readily approve. :)
Now if I could just come up with a way to keep you out of hibernation that did not involve kidnapping, which I'm guessing Mrs. Febres would probably also not be too keen on...
::goes off to commence evil plotting::
(All that to say I'm glad to be playing with you this week!)
Just my two cents Samuel...peace out.
Adam, thanks for the tips. That's the 2nd nod I've heard recently for the Sparkle Drive and the OCD pedal. I've been meaning to try one of these out, and now more so. I'm very interested in the sparkle drive, more bang for the buck it seems.